Multiculturalism Kills

Marked for death, his life will never be the same. He and his wife move constantly under police guard. Kurt Westergaard did what he was told: he drew a cartoon of Muhammed for his employer, the Danish newspaper Jyllands-Posten. He had no idea that by doing so he would have to spend the rest of his life hiding from Islamofascists who want to kill him. Watching him interviewed on Danish TV, it occurred to me that Westergaard’s situation symbolizes the utter failure of Multiculturalism. Most Europeans still don’t get it and neither do most Americans. They still insist that we all tolerate a culture which pledges to destroy our own. Westergaard’s interviewer epitomizes smug, multicultural ignorance.

His cartoon depicted Muhammed with a bomb in his turban because he wanted to show “that there are terrorists who get their spiritual dynamite or their spiritual ammunition from Islam.” Radical Muslims proved him right as they rioted across the realm of Islam. His Danish interviewer asked if he felt responsible for a hundred riot deaths. “I see the riots as something which was staged by some governments in some badly managed countries,” responded Westergaard. They were staged because governments in Muslim countries want to divert popular attention from their failure. “But that is not my responsibility,” he concluded, and he’s right of course.

“But Kurt Westergaard, they would not have been in the streets of it hadn’t been because of your drawing,” said the interviewer. “What does it make you feel? You drew a few lines on a piece of paper. You took less than an hour to make that drawing and it has actually caused riots which cost more than a hundred people their lives. As a human being, how do you feel about that?”

He said he felt bad that those people were killed and repeated: “It’s not my responsibility. There were [radical Muslims] who had an interest in using [the drawing] more globally.”

“Why is it so important for you to draw that drawing that even these very large consequences does [sic] not create doubts in your mind?” the dedicated multiculturalist asked yet again.

Westergaard said it was important to express the dangers of radical Islam in the debate. “It should be reasonable to comment on something of a most alarming nature which goes on in this world today: this terror . . . Then we get this clash around freedom of speech, we experience . . . a cultural friction where there are two cultures which . . .”

“You mean the Islamic and the western culture?” asked the thick-headed interviewer.

“Yes.”

“What values are you defending with a drawing like that?”

“I fight for Western values. I fight for freedom of speech . . .” said Westergaard. “We live in a secularized society, so it is clear that religion cannot demand any special status.”

“But do you think about that you could be causing trouble with such a drawing instead of fighting against self censorship?”

“Well I hope that such a satirical drawing works in some way when it is being seen.”

“And how is it supposed to work? How can you create freedom of speech with such a drawing of a prophet Mohammed with a piece of dynamite in his turban?”

“Well I think I serve freedom of speech when I make such a drawing. Freedom of speech has been put under some pressure. We experience museums which have to remove pictures. We experience an opera in Berlin which has to close down for a period of time and we experience that intellectual, cultural personalities who speak against Islam are threatened. Van Gogh [in] Holland was murdered. Hirsi Ali has to live under protection. I think there is good reason for us to demonstrate that freedom of speech is something which we cherish. We cannot live without it.”

Danish police recently arrested three Danish immigrants from Tunisia plotting to kill Westergaard in his own home.

“What do you think about that situation?” asks the interviewer. Westergaard said he and his wife were depressed about having to move around so much to avoid being murdered. He says he’s angry about being threatened and sentenced to death by fanatics. Then the Danish government released one of the Tunisian plotters. “You could risk meeting him in the walking street in Aarhus tomorrow,” said the interviewer. Then he summed it all up: the threats, the moving around, the hundred deaths, and the deportations. Given all this, does Westergaard regret making the drawing?

“No. I don’t.”

“Why not?”

“There would have been a similar confrontation, so this friction between these two cultures is there all the time. What has to be done in the future is that our culture, the . . . superior culture will win and we may see some more modified version of Islam which fits better in a secular society.”

This is anathema to multiculturalists who insist that all cultures are equal.

“So there are no regrets in your mind I can hear?” said the increduluous interviewer.

“No. We have to get a grip on it.”

Indeed. Liberal multiculturalists who dominate government in Europe and North America have to get a grip. The western culture they disdain is superior to, and must be defended against, Islamofascism. If they don’t give up their silly notions and wake up, we’re doomed.